BISCHIN, M.-R. THE CHANGING OF THE AESTHETIC BALLET’S SPHERE IN THE INTERWAR PERIOD. BETWEEN THE DECONSTRUCTION OF OSKAR SCHLEMMER’S BALLET AND THE IDEA OF “GEBRAUCHMUSIK” OF PAUL HINDEMITH – AN IMAGISTIC ALLEY FROM OSKAR SCHLEMMER TO CÉLINE DION [1922-2019]. Studia Universitatis Babeș-Bolyai Musica, [S. l.], v. 67, n. 1, p. 71–97, 2022. DOI: 10.24193/subbmusica.2022.1.06. Disponível em: http://193.231.18.162/index.php/subbmusica/article/view/229. Acesso em: 3 jul. 2024.