Submissions

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Submission Preparation Checklist

As part of the submission process, authors are required to check off their submission's compliance with all of the following items, and submissions may be returned to authors that do not adhere to these guidelines.
  • The submission has not been previously published, nor is it before another journal for consideration (or an explanation has been provided in Comments to the Editor).
  • The submission file is in OpenOffice, Microsoft Word, or RTF document file format.
  • Where available, URLs for the references have been provided.
  • The text is single-spaced; uses a 12-point font; employs italics, rather than underlining (except with URL addresses); and all illustrations, figures, and tables are placed within the text at the appropriate points, rather than at the end.
  • The text adheres to the stylistic and bibliographic requirements outlined in the Author Guidelines.

Author Guidelines

GUIDE & INVITATION FOR PUBLISHING 

Starting in March 2008, we launched the release of a new series of musicology   magazines under the name of “Studia Universitatis BabeşBolyai”, with the title of “MUSICA”.
If anyone is interested in publishing with us, we gladly accept your collaboration by editing your studies in an elegant and   qualitative form.

The magazine is published twice a year:

‐ For the first number of the year the deadline for the receiving of the studies is 15th of March.

‐ For the second number of the year we accept the studies up to 15th of September.

- In addition to these, we publish 1-2 special issues, every year.

We accept articles in English (United States). We can receive the studies in an electronic form sent to the following e‐mail address: gabriela.coca.66@gmail.com.

We are interested in any papers related to MUSIC.

All the authors are responsible for submitting manuscript in comprehensible English (United States) and ensuring scientific accuracy.

Authors must complete the Declaration of Authenticity and send it to the editor together with the study. The form for this declaration can be downloaded from the website.

Authors must pre-register on the ORCID website and submit their system-generated ORCID unique number with the study for publication: ORCID.

Due to the musical examples that are inserted in the studies, the authors are asked  to apply in their studies the format types:

 

THE STANDARD FORMAT OF THE STUDIES:

PAGE SETUP:

Margins: Top = 4.8 cm; Bottom = 4.8 cm; Left = 4 cm; Right = 4 cm.

Orientation: Portrait

Paper size: A4

Layout: From Edge: Header = 4.8 cm, Footer: 4.6 cm;

Tick the boxes: Different odd and even and Different first page!

FONT:

ARIAL, the size of the letters = 11;

PARAGRAPH:

Align text: Justify.

First Line Indentation: Left, 1.25 cm.

Line spacing: Single

Spacing Before Lines: 0 pt; Spacing After Lines: 0 pt.

STYLES: Normal.

TITLE OF THE PAPER:

Font: ARIAL, MACROS, BOLD, the size of the letters = 12; Align text: Center

 NAME OF THE AUTHOR:

The author's name is placed under the title:

Font: ARIAL, MACROS, BOLD, the size of the letters = 11; Align text: Center

The order of the name: first name then surname.

Name of several authors are separated by a comma.

FOOTNOTES: the size of the letter = 9; Align text: Justify; Line spacing: Single

Spacing Before Lines: 0 pt; Spacing After Lines: 0 pt.

!!! Important: The titles that are quoted into the footnotes will have their translation into English put in round brackets in Italic the (Translated Title)

‐ Hanging: 0.35 cm

Studia UBB Musica uses the MLA8 Citation System. For Guide, click here: http://www.easybib.com/guides/citation‐guides/mla‐8/

Citation Example for books:

Coca, Gabriela. Ede Terényi – History and Analysis. Ed. Cluj University Press, Cluj-Napoca, 2010.

Citation Example for papers:

Coca, Gabriela. “A Profile Sketch in the Mirror of one Work: Sinus for Clarinet Solo by Cristian Misievici.” In Studia UBB Musica, LVI, 2, 2011, pp. 287-303.

Punctuation is important!

When quoting a Web Page, the date of access must be mentioned in brackets.

BIBLIOGRAPHY, called: REFERENCES

‐ The size of the letters in the list of references: 10.

!!! Important: The titles of the books (or papers, web pages links) that are quoted into the footnotes must be noted in the list of references as well!

TABLES: will be numbered in Arabic (for example: Table 1) - written above the table on the top right. They are written using Font: ARIAL, BOLD, the size of the letters = 11, Alignment: right

On bottom of the tables:

‐ The title of the table: centered, on bottom of the table, the size of the letters: 10

-  The content of the table: size of the letters: 10

MUSICAL EXAMPLES: will be numbered in Arabic (for example: E.g. 1) - written above the example on the top right. They are written using Font: ARIAL, BOLD, the size of the letters = 11; Alignment: right.

On bottom of the example:

‐ The origin of the musical example (Composer, Work, and Measures Number taken from the score) is mentioned: on bottom of the example, with the size of the letters: 10, ARIAL, BOLD; Alignment: Center

FIGURES and PICTURES: the quality of the figures / pictures, the Xerox copies or the scanned drawings must be very high quality.

- The Figures and Pictures will be numbered in Arabic (for example: Figure 1 or Picture 1) - written above the example on the top right. They are written using Font: ARIAL, BOLD, the size of the letters = 11, Alignment: right.

On bottom of the figures and pictures:

- Under each illustration, there must be an explication of the figure / picture attached with the size of the letters: 10, ARIAL, BOLD; Alignment: center.

*

Each study must be preceded by a SUMMARY into English of 1015 lines:

‐ Indent full text of summary in the left side: 1.25 cm

FONT: ARIAL, the size of the letters = 10.

*

Each study must be containing under the summary 36 KEYWORDS extracted from the study.

‐ Indent in the left side: 1.25 cm

FONT: ARIAL, the size of the letters = 10.

*

Each study must include, next to the name of the author on the footnote there must be mentioned the name and the address of the institution where he/she is hired, the profession (the didactic rank), and the contact e-mail address of the author.

*

Each study must contain a short AUTOBIOGRAPHY of the author (ONLY 1015 LINES), placed after the REFERENCES at the end of the paper.

The autobiography should be formulated as a cursive text, in the 3rd person singular.

‐ The size of the letter: 10.

In this short autobiography, the author can link to a personal web page, where readers can find more information about himself and his work. This excludes Facebook pages. We recommend institutional pages, or a profile page on www.academia.edu.

Laudatio

Laudatio is mean to celebrate the life and work of prominent scholars and researches. It is not peer-reviewed and  does not receive doi numbers. It should not exceed 10 pages (in Studia UBB Musica format).

Introductions & Arguments

Introductions & Arguments present the main topics of the volume. They are not peer-reviewed, and  do not receive doi numbers. They should not exceed 10 pages (in Studia UBB Musica format).

Interviews & Musical Chronicles

Interviews & Musical Chronicles with miscellaneous personalities. They are not peer-reviewed, and do not receive doi numbers. They should not exceed 20 pages (in Studia UBB Musica format).

Articles

Section default policy

In Memoriam

In memoriam are manuscripts that honor a deceased personality.
They are published in English and should not exceed 5 pages (in Studia UBB Musica format).

Book Reviews

Book reviews are presentations of original books. They are not peer-reviewed, and do not receive doi numbers. They should not exceed 10 pages (in Studia UBB Musica format).

Privacy Statement

The data collected from registered and non-registered users of this journal falls within the scope of the standard functioning of peer-reviewed journals. It includes information that makes communication possible for the editorial process; it is used to informs readers about the authorship and editing of content; it enables collecting aggregated data on readership behaviors, as well as tracking geopolitical and social elements of scholarly communication.

This journal’s editorial team uses this data to guide its work in publishing and improving this journal. Data that will assist in developing this publishing platform may be shared with its developer Public Knowledge Project in an anonymized and aggregated form, with appropriate exceptions such as article metrics. The data will not be sold by this journal or PKP nor will it be used for purposes other than those stated here. The authors published in this journal are responsible for the human subject data that figures in the research reported here.

Those involved in editing this journal seek to be compliant with industry standards for data privacy, including the European Union’s General Data Protection Regulation (GDPR) provision for “data subject rights” that include (a) breach notification; (b) right of access; (c) the right to be forgotten; (d) data portability; and (e) privacy by design. The GDPR also allows for the recognition of “the public interest in the availability of the data,” which has a particular saliency for those involved in maintaining, with the greatest integrity possible, the public record of scholarly publishing.