THE PORTRAIT OF BOYAR MOŢOC IN THE WORK OF COMPOSER GHEORGHE MUSTEA

Authors

  • Luminiţa GUŢANU STOIAN Univ. Lecturer, PhD, Faculty of Social and Human Sciences, Department of Social and Human Sciences, Spiru Haret University, Bucharest, Romania. E-mail: luminitagutanu@yahoo.es https://orcid.org/0000-0001-5261-5283

DOI:

https://doi.org/10.24193/subbmusica.2017.2.16

Keywords:

Gheorghe Mustea, Alexandru Lăpuşneanu, bessarabian opera, Boyar Moţoc, psychological profile.

Abstract

The present survey aims at emphasizing Gheorghe Mustea’s ability to create a musical portrait of Boyar Moţoc, in his opera, “Alexandru Lăpuşneanu”. The overall portrait the author creates for this historical figure includes his psychological profile, suggestively presented in three different states, outlined on the relationship between two pillars (cause and effect and premise - consequence).

References

Călinescu, George, Istoria literaturii române (The History of Romanian Literature), Bucharest, 1941.

Guţanu, Luminiţa, The choral outline in the opera “Alexandru Lăpuşneanu” by Gheorghe Mustea, published in Studia UBB Musica, Cluj University Press, LVII, 2, 2012, pp. 257-270.

Mustea, Gheorghe, Alexandru Lăpuşneanu, Piano Reduction (manuscript), 1988.

Mustea, Gheorghe, Alexandru Lăpuşneanu – score (manuscript), 1988.

Vianu Tudor, Studii de stilistică (Studies of stylistics), vol. V, Minerva Publishing House, Bucharest, 1975.

STUDIA UBB MUSICA, Volume 62 (LXII), No. 2, December 2017

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Published

2017-12-20

How to Cite

GUŢANU STOIAN, L. (2017). THE PORTRAIT OF BOYAR MOŢOC IN THE WORK OF COMPOSER GHEORGHE MUSTEA. Studia Universitatis Babeș-Bolyai Musica, 62(2), 225–230. https://doi.org/10.24193/subbmusica.2017.2.16

Issue

Volume 62, No. 2, December 2017

Section

Articles

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Copyright (c) 2017 Studia Universitatis Babeș-Bolyai Musica

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