DEVELOPING PROFESSIONAL SKILLS OF A PERFORMING MUSICIAN IN A HIGHER MUSIC INSTITUTION

Authors

  • Oksana BASSA Department of Piano Accompaniment, Faculty of Piano, Jazz and Popular Music, Lviv National Academy of Music, Ukraine. Email: ox.music23@gmail.com. https://orcid.org/0000-0003-2158-2516
  • Mariya LYPETSKA Department of Piano Accompaniment, Faculty of Piano, Jazz and Popular Music, Lviv National Academy of Music, Ukraine. Email: lypet.ska22@gmail.com. https://orcid.org/0000-0001-7171-4586
  • Olena KSONDZYK Department of Piano Accompaniment, Faculty of Piano, Jazz and Popular Music, Lviv National Academy of Music, Ukraine. Email: olenak.23sondzyk@gmail.com. https://orcid.org/0000-0003-1308-3266
  • Zenovija ZHMURKEVYCH Department of the General and Specialized Piano, Faculty of Orchestral Instruments, Lviv National Academy of Music, Ukraine. Email: zenovija.zhmurke18vych@gmail.com. https://orcid.org/0000-0002-0779-8313
  • Antonina LISOHORSKA Department of Academic Singing, Faculty of Musicology, Composition, Vocals and Conducting, Lviv National Academy of Music, Ukraine. Email: antonina.lvivart22@gmail.com. https://orcid.org/0000-0002-4063-2163

DOI:

https://doi.org/10.24193/subbmusica.2023.spiss1.09

Keywords:

music education, integration, art, performing musician, dual education

Abstract

The aim of the research is to determine the problem of developing the professional skills of a performing musician in a higher education music institution. The study involved the following methods: comparative analysis, systematization and grouping, derivation of categories. The relevance of this study is determined by the need to modernize and expand the boundaries of the educational environment when teaching performing musicians. The results of the development of this problem represented it as a complex, multifaceted and, at the same time, integral system, which includes components that differ in content and function, ensuring the effectiveness of the educational program. The conclusions testify to a wide scope of the problem of the formation of a performing musician, its focus on various spheres in the life of society, and the importance of each of its components. The prospects of further research in this field of art are in its flexibility, the ability to be updated, replenished with the achievements of time, and respond to the needs and mood of society.

References

Ahmad, Gulzar, Kausar, Sania. Perceived Stress, Self-Efficacy and Psychological Wellbeing Among Performing Arts Students. Academic Journal of Social Sciences, 5, No. 3, 2021, pp. 279-291.

Armstrong, Viktoria. Transitions and Trajectories: a case study examining the primary-secondary music education transition of adolescents involved in a dedicated primary-level violin programme, 2017. https://www.researchgate.net/publication/328957714.

Barytska, Oleksandra, Turovska, Natalia, Budim, Liudmyla, Tsaruk, Svitlana, Hutsal, Rosina. Development of Professional Skills of Bachelors of Musical Art in the Context of Dual Education, 2022. http://dx.doi.org/10.52534/msu-pp.8(2).2022.61-68

Bylica, Кelly, Bauman, Вetty. Teaching in a Time of Crisis: Pedagogical Creativity in Music Education. Bulletin of the Council for Research in Music Education, 2022. http://dx.doi.org/10.5406/21627223.231.01

Bylica, Кelly, Kuepfer, Мorgan. Mentoring in Community-based Fieldwork: Drawing from Experience. Canadian Music Educator, 62, No. 4, 2021, pp. 20-26.

Bylica, Кelly, Schmidt, Рatrick. Crossing borders and taking risks: supporting the music educator as policy practitioner. Arts Education Policy Review, 2021, pp. 1-13. https://doi.org/10.1080/10632913.2021.1955424

Campbell, Patricia Shehan. Teaching World Music: Intersections of Music, Education, and Diversity Intersections of Music, Education, and Diversity. In Voices of the Field, 2021, pp. 154-176. http://dx.doi.org/10.1093/oso/9780197526682.003.0010

Correia, Jorge Salgado, Dalagna, Gilvano, Foletto, Clarissa, Papageorgi, Ioulia, Stavrou, Natassa, Constantinou, Nicolas, Westerlund, Heidi, Kanno, Mieko, López-Íñiguez, Guadalupe, Östersjö, Stefan, Holmgren, Carl, Eidsaa, Randi, Orning, Tanja. REACT: Artist Career in Music: Stakeholders Requirement Report. UA Editora, 2021. https://doi.org/10.48528/wfq9-4560

Hess, Juliet. Becoming an Anti-Racist Music Educator: Resisting Whiteness in Music Education. Music Educators Journal, 107, No. 4, 2021, pp. 14-20.

Johnson, Daniel. Music Education, In D.L. Worthington, G.D. Bodie, Eds. The Handbook of Listening. John Wiley & Sons: Hoboken, New Jersey, 2020, pp. 291-302. http://dx.doi.org/10.1002/9781119554189.ch18.

Juntunen, Marja-Leena. Taiteen perusopetusta kaikille. Finnish Journal of Music Education, 24, No. 2, 2021, pp. 127-151.

Kivijärvi, Sanna, Rautiainen, Pauli. Contesting music education policies through the concept of reasonable accommodation: Teacher autonomy and equity enactment in Finnish music education. Research Studies in Music Education, 43, No. 1, 2020, pp. 1-19.

Kivijärvi, Sanna. Towards equity in music education through reviewing policy and teacher autonomy. Helsinki: Studia Musica, 2021. https://www.researchgate.net/publication/353904855

Koivisto, Taru-Anneli, Laes, Tuulikki. Music professionalism promoting gerotranscendence: An instrumental case study of healthcare musicians in an eldercare hospital. International Journal of Music Education, 40, No. 2, 2022, 025576142210873. http://dx.doi.org/10.1177/02557614221087340

Kosinskaya, Natalia. Methodical bases of formation of stage-figurative culture of the future teacher of musical art in the process of vocal preparation. Science Rise Pedagogical Education, 6, No. 33, 2019, pp. 20-24.

Laes, Tuulikk, Schmidt, Рatrick. Promoting a musical life course towards sustainable ageing: A call for policy congruence. International Journal of Community Music, 14, No. 1, 2021, pp. 103-119.

Laes, Tuulikki, Westerlund, Нeidi, Saether, Еva, Kamensky, Hanna. Practising civic professionalism through inter-professional collaboration. In Expanding Professionalism in Music and Higher Music Education, pp.16-29. Tampere: ArtsEqual, 2021. http://dx.doi.org/10.4324/9781003108337-3+

Ovcharenko, Nataliya, Samoilenko, Oleksandra, Moskva, Olena, Chebotarenko, Olha. Innovative Technologies in Vocal Training: Technological Culture Formation of Future Musical Art Teachers. Journal of History Culture and Art Research, 9, No. 3, 2020, pp. 115-126.

Padalka, Galina, Zaytseva, Аlla. Culturological dimensions of projective modeling of art education. Culture and Contemporaneity: Almanakh, 1, 2020, pp. 3-6.

Partti, Нeidi, Väkevä, Lauri. SongPump: Developing a Composing Pedagogy in Finnish Schools Through Collaboration Between Professional Songwriters and Music Teachers 1. In Musician – Teacher Collaborations, 2018, pp. 73-84. http://dx.doi.org/10.4324/9781315208756-7

Pereverzeva, Olena. Concept and Content of Future Music Teacher's Professional Culture. Pedagogical Education: Theory and Practice. Collection of Scientific Works, 26, No. 2, 2019, pp. 153-159.

Pereverzeva, Olena. Psychological and creative aspects of the concerter’s work in the process of horal conducting education of the future teacher of music art. Scientific Notes of Mykola Gogol Nizhyn State University, Series "Psychological and Pedagogical Sciences", 4, 2019, pp. 123-128.

Pereverzeva, Оlena. Formation of pedagogical culture of a musical art teacher in the process of vocational training. Innovative Pedagogy, 21, No. 3, 2020, pp. 59-62.

Pereverzeva, Оlena. Pedagogical aspects of professional activity concertmaster in general cultural and musical-aesthetic development of the future music teacher. Pedagogical Education: Theory and Practice, 27, No. 2, 2019, pp. 226-230.

Pereverzeva, Оlena. The formation of a self-education culture of a musical art future teacher in the process of conductor-choir training. Humanities Science Current Issues, 4, No. 35, 2021, pp. 274-279.

Poulakis, Nick. Music and Image in Dialogue: Audiovisual Media as Multicultural Education. Review of Artistic Education, 1-2, 2011, pp. 128-134.

Rautiainen, Рauli, Westerlund, Нeidi, Lehikoinen, Кai, Karttunen, Sari. Equality as the future path for the arts and arts education services. Tampere: ArtsEqual, 2021. https://www.researchgate.net/publication/356731696

Regelski, Thomas, Gates, Terry. Music Education for Changing Times: Guiding Visions for Practice, Springer: Dordrecht Heidelberg London New York, 2010. http://dx.doi.org/10.1007/978-90-481-2700-9

Schippers, Нuib. Teaching world music in the Netherlands: Towards a model for cultural diversity in music education. International Journal of Music Education, os-27, No. 1, 1996, pp. 16-23.

Schmidt, Рatrick. Policy as Practice: A Guide for Music Educators A Guide for Music Educators. New York: Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190227029.001.0001

Stukalenko, Zoya. Analysis of program implementation of stages of experimental work on formation of professional tolerance in future teacher of music art. Science Rise Pedagogical Education, 3, No. 11, 2017, pp. 32-36.

Yeremenko, Оlha, Chystiakova, Iryna, Biriukova, Larysa, Petrenko, Maryna. Training of Future Musical Art Teachers: An Ethnocultural Approach. Journal of History Culture and Art Research, 9, No. 3, 2020, pp. 127-138.

Downloads

Published

2023-07-20

How to Cite

BASSA, O. ., LYPETSKA, M. ., KSONDZYK, O. ., ZHMURKEVYCH, Z. ., & LISOHORSKA, A. . (2023). DEVELOPING PROFESSIONAL SKILLS OF A PERFORMING MUSICIAN IN A HIGHER MUSIC INSTITUTION. Studia Universitatis Babeș-Bolyai Musica, 68(Special Issue 1), 141–166. https://doi.org/10.24193/subbmusica.2023.spiss1.09