MARCEL DUPRÉ: LE CHEMIN DE LA CROIX OP. 29. AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW
DOI:
https://doi.org/10.24193/subbmusica.2017.1.18Keywords:
Marcel Dupré, organ, stations, movements, form, performance, technique.Abstract
The following essay represents an analysis of the work Le Chemin de la Croix op. 29 by Marcel Dupré. In the beginning of the essay one can find information regarding Dupré’s organist and teaching career, his organ works and organ methods. The second section of the essay consists of a detailed analysis of the work mentioned in the title. The analysis offers a structural description of the fourteen movements, with emphasis on their musical content, and commenting on technical aspects and performance issues.
References
***, Handbuch Orgelmusik, Bärenreiter Verlag Karl Votterle GmbH&Co., Kassel, 2002.
Busch, Hermann J. & Geuting, Matthias, Lexikon der Orgel, Laaber Verlag, Laaber, 2007.
Busch, Hermann J., Zur Französischen Orgelmusik des 19. Und 20. Jahrhunderts, Ein Handbuch, Musikverlag Dr. J. Butz, Bonn, 2011.
Delestre, Robert, L’Oeuvre de Marcel Dupré, Éditions Musique Sacrée, Paris, 1962.
Dupré, Marcel, Erinnerungen, Übersetzt und kommentiert von Hans Steinhaus, Merseburger, Kassel, 1981.
Edler, Arnfried, Geschichte der Klavier und Orgelmusik, vol. 1, 2, 3, Laaber Verlag, Laaber, 2007.
Falcinelli, Rolande, L'interpretation de l'oeuvre de Marcel Dupré, L'orgue, Cahiers et Mémoires, Paris, 1981.
Gavoty, Bernard, Marcel Dupré, Geneva, 1957.
Murray, Michael, French Masters of the Organ, Yale University Press, New Haven & London, 1998.
Steed, Graham, The Organ Works of Marcel Dupré, The Complete Organ No. 4, Hillsdale, 1999.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 Studia Universitatis Babeș-Bolyai Musica
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
