Volume 67, No. 2, December 2022

STUDIA UBB MUSICA, Volume 67 (LXVII), No. 2, December 2022

Volume 67, No. 2, December 2022, ISSUE DOI: 10.24193/subbmusica.2022.2

Published: 2022-12-20

Full Issue

Articles

THE GRANULARITY PARADIGM IN THE ELECTROACOUSTIC MUSIC OF IANNIS XENAKIS

Adrian BORZA

9-28
- PDF
RE-WRITE AND RE-CREATE THE FRENCH “BALLET DU TEMPS” (1654): KNOWLEDGE, HISTORICAL SOURCES, AND CREATIVE STRATEGIES

Christophe ALVAREZ

29-55
- PDF
MUSICAL INTENTIONS OF AUSTRO-HUNGARIAN PERIOD IN BUKOVINA

Yuliya KAPLIYENKO-ILIUK
- PDF
AN EVIL LETTER, AND THE DESTINIES OF THE FORGOTTEN PASSACAGLIA. THE TWILIGHT OF THE THIRD SYMPHONY “OVID” BY SIGISMUND TODUȚĂ

Ecaterina BANCIU

75-86
- PDF
MUSIC FESTIVALS IN MODERN ITALY DURING THE COVID-19 PANDEMIC

Olena PONOMARENKO

87-109
- PDF
DESIGNING AN EDUCATIONAL CONCERT. THE ANALYSIS OF “THE NOAH’S ARK” CHILDREN’S CONCERT

Dalma-Lidia TOADERE

111-128
- PDF
UKRAINIAN MUSIC CRITICISM OF THE 2010s: GENERAL SITUATION, PROBLEMS, DIRECTIONS OF DEVELOPMENT (BASED ON THE EXAMPLES FROM CONTEMPORARY ART MUSIC SCENE)

Iryna TUKOVA, Valentina REDYA, Iryna KOKHANYK

129-143
- PDF
WRITTEN SOURCES IN THE REPERTOIRE OF THE CHRISTMAS CAROLS FROM THE TRANSYLVANIAN PLAIN

Zoltán GERGELY

145-162
- PDF
THE CIRCULATION OF A MELODIC TYPE OF SCHOLARLY CAROL FROM THE LAND OF THE FORESTERS, HUNEDOARA

Alina-Lucia STAN

163-176
- PDF
ORGANS IN TRANSYLVANIA – PART 2. TRANSYLVANIAN ORGANS DURING THE 19TH CENTURY

Noémi MIKLÓS

177-191
- PDF
THE LORD’S BIRTH TROPARION, TRANSYLVANIAN EXEGESES

Daniel MOCANU

193-213
- PDF
THE ʻMALAPARTISM ̓ – A MUSICALIZED «PLEURESEMENT»: CURZIO MALAPARTE, ALBERTO MORAVIA, ADALBERTO LIBERA AND THE ARCHITECTURAL STRUCTURES OF THE ʻBEINGNESSʼ

Maria-Roxana BISCHIN

215-230
- PDF
RATIONAL AND EMOTIONAL FACTORS OF MUSIC AND PERFORMANCE AESTHETICS

Vіtalіi ZAIETS, Oksana ZAIETS

231-244
- PDF

Book Reviews

BOOK REVIEW: WHY THIS BOOK HAS BECOME SO NECESSARY TO ME (PASCAL BENTOIU, “GÂNDIREA MUZICALĂ” (MUSICAL THINKING), BUCHAREST: EIKON, 2022, 2ᴺᴰ EDITION)

Oleg GARAZ

245-251
- PDF

Volume 67, No. 2, December 2022

Full Issue

Articles

THE GRANULARITY PARADIGM IN THE ELECTROACOUSTIC MUSIC OF IANNIS XENAKIS

RE-WRITE AND RE-CREATE THE FRENCH “BALLET DU TEMPS” (1654): KNOWLEDGE, HISTORICAL SOURCES, AND CREATIVE STRATEGIES

MUSICAL INTENTIONS OF AUSTRO-HUNGARIAN PERIOD IN BUKOVINA

AN EVIL LETTER, AND THE DESTINIES OF THE FORGOTTEN PASSACAGLIA. THE TWILIGHT OF THE THIRD SYMPHONY “OVID” BY SIGISMUND TODUȚĂ

MUSIC FESTIVALS IN MODERN ITALY DURING THE COVID-19 PANDEMIC

DESIGNING AN EDUCATIONAL CONCERT. THE ANALYSIS OF “THE NOAH’S ARK” CHILDREN’S CONCERT

UKRAINIAN MUSIC CRITICISM OF THE 2010s: GENERAL SITUATION, PROBLEMS, DIRECTIONS OF DEVELOPMENT (BASED ON THE EXAMPLES FROM CONTEMPORARY ART MUSIC SCENE)

WRITTEN SOURCES IN THE REPERTOIRE OF THE CHRISTMAS CAROLS FROM THE TRANSYLVANIAN PLAIN

THE CIRCULATION OF A MELODIC TYPE OF SCHOLARLY CAROL FROM THE LAND OF THE FORESTERS, HUNEDOARA

ORGANS IN TRANSYLVANIA – PART 2. TRANSYLVANIAN ORGANS DURING THE 19TH CENTURY

THE LORD’S BIRTH TROPARION, TRANSYLVANIAN EXEGESES

THE ʻMALAPARTISM ̓ – A MUSICALIZED «PLEURESEMENT»: CURZIO MALAPARTE, ALBERTO MORAVIA, ADALBERTO LIBERA AND THE ARCHITECTURAL STRUCTURES OF THE ʻBEINGNESSʼ

RATIONAL AND EMOTIONAL FACTORS OF MUSIC AND PERFORMANCE AESTHETICS

Book Reviews

BOOK REVIEW: WHY THIS BOOK HAS BECOME SO NECESSARY TO ME (PASCAL BENTOIU, “GÂNDIREA MUZICALĂ” (MUSICAL THINKING), BUCHAREST: EIKON, 2022, 2ᴺᴰ EDITION)

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