THE SACRED IN THE CHORAL WORKS OF DRAGOŞ ALEXANDRESCU
DOI:
https://doi.org/10.24193/subbmusica.2017.2.07Keywords:
Sacred music, modality, polyphony.Abstract
Standing at the crossroad between tradition and modernism, the choral work of composer Dragoş Alexandrescu represents a genuine symbiosis between “the national” and “the universal”. The presence of his choral works in choir concert programs and in the church choirs' repertoire places Dragoş Alexandrescu on top of the list of creators of music dedicated to the development of the Divine Liturgy, next to other representatives of the genre from the second half of the 20th century.References
Alexandrescu, Dragoş, Cântările Sfintei Liturghii (Chants of the Divine Liturgy), Editura Muzicală, Bucureşti, 2001.
Alexandrescu, Dragoş, Ghidul dirijorului de cor bisericesc (Church Choir Director's Guide), Editura Sfântul Gheorghe-Vechi, Bucureşti, 1998.
Coresi, Theodore. Dramaturgie şi retorică în muzica de cult creştină (Dramaturgy and Rhetoric in Christian Worship Music), Editura Muzicală, Bucureşti, 2008.
Ionescu, Gheorghe, Muzica bizantină în România (Byzantine Music in Romania), Editura Sagittarius, Bucureşti, 2003.
Marinescu, Mihaela, Spiritualitatea bizantină în creaţia muzicală românească (Byzantine spirituality in Romanian Music), Editura Fundaţiei România de Mâine, Bucureşti, 2008.
Sandu-Dediu, Valentina, Muzica românească între 1944-2000 (Romanian Music between 1944-2000), Editura Muzicală, Bucureşti, 2002.
Vasile, Vasile, Istoria muzicii bizantine şi evoluţia ei în spiritualitatea românească (A History of Bysantine Music and Its Evolution in Romanian Spirituality), vol. II, Editura Academiei de Muzică, Bucureşti, 1995.
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