Volume 66, No. 2, December 2021

STUDIA UBB MUSICA, Volume 66 (LXVI), No. 2, December 2021

Volume 66, No. 2, December 2021, ISSUE DOI: 10.24193/subbmusica.2021.2

DOI: https://doi.org/10.24193/subbmusica.2021.2

Published: 2021-12-30

Full Issue

Articles

ADRIAN POP - IN SEARCH OF A LONG LOST SMILE

Ecaterina BANCIU

9-28
- PDF
“DON’T LET ME GO”. A CASE STUDY ON MUSIC THERAPY IN EARLY-STAGE DEMENTIA

Lois VĂDUVA, Catherine WARNER

29-38
- PDF
DIGITAL TRANSFORMATION TRENDS IN MUSIC TEACHING AND TRAINING SYSTEMS

Bence ASZTALOS

39-47
- PDF
STYLE AS A TOPICAL CATEGORY OF MODERN MUSICOLOGY AND MUSIC EDUCATION

Nataliya GOVORUKHINA, Tetiana SMYRNOVA, Iryna POLSKA, Iryna SUKHLENKO, Ganna SAVELIEVA

49-67
- PDF
GOLDEN ERA OF BAROQUE DANCE

Alina BERCU

69-78
- PDF
THE EVOLUTION OF ITALIAN MELODRAMA: FROM DONIZETTI TO VERDI

Edith Georgiana ADETU, Petruța Maria COROIU

79-87
- PDF
FEATURES OF IRISH DANCE MUSIC

Alexandra BELIBOU

89-98
- PDF
INDIAN CULTURE AND MUSIC AS A SOURCE OF INSPIRATION FOR FRENCH OPERA COMPOSERS

Noémi KARÁCSONY, Mădălina Dana RUCSANDA

99-121
- PDF
FRIENDSHIP OF WELL-KNOWN AND UNDESERVEDLY FORGOTTEN MASTERS IN LATE 19TH AND EARLY 20th CENTURY RUSSIAN PIANO MUSIC. THE LIFE AND WORK OF MEDTNER, RACHMANINOFF, AND SCRIABIN

Eszter SZABÓ

123-132
- PDF
RETROSPECTIVE REVIEW OF THE DEVELOPMENT OF THE CONCEPTS OF CONSONANCE AND DISSONANCE: ON THE PROBLEM OF MUSICAL AND AESTHETIC AS WELL AS PHYSICAL AND MATHEMATICAL INTERPRETATION

Nataliia BIELIAVINA, Volodymyr BIELIAVIN

133-156
- PDF
SYNCRETIC TRENDS IN CONTEMPORARY WESTERN EUROPEAN VOCAL AND CHORAL ART: THE CHALLENGE OF TODAY

Natalia GREBENUK, Olena BATOVSKA, Yana KYRYLENKO, Tamara TESLER, Rafail HASANOV

157-177
- PDF
REGIETHEATER – THE BIG CHALLENGE FOR THE OPERA OF OUR TIMES

Cristina RADU-GIURGIU

179-192
- PDF
GENRE HYBRIDS IN THE SYMPHONICAL CREATIVITY OF Ye. PETRYCHENKO AS A REFLECTION OF TIME TRENDS

Maryna VARAKUTA, Daryna KUPINA, Maryna VOTINTSEVA

193-211
- PDF
THE EVOLUTION OF OPERA PERFORMANCE FROM SCENOGRAPHIC MIRACLES TO THE OPERA PRODUCTIONS OF THE NINETEENTH CENTURY

Diana TODEA-SAHLEAN

213-224
- PDF
J. G. TROMLITZ’S ARTICULATORY PHONETICS IN FLUTE SOUND FORMATION

Volodymyr KACHMARCHYK, Nataliia KACHMARCHYK

225-238
- PDF
BREATHING TECHNIQUES IN THE PARIS SINGING TREATISE ("MÉTHODE DE CHANT", PARIS, 1803)

Anca SIMILAR

239-246
- PDF
THE ROLE OF FACIAL EXPRESSIONS IN THE ART OF MUSICAL CONDUCTING

Aurel MURARU

247-253
- PDF
THE ROLE OF THE HUNGARIAN ROMAN CATHOLIC CHURCH COMMUNITY SONG IN THE TRANSFORMATION PROCESS OF THE ARMENIAN LITURGICAL REPERTOIRE IN TRANSYLVANIA

Ágota BODURIAN, Stela DRĂGULIN

255-263
- PDF
JENŐ ÁDÁM’S CHURCH MUSIC COMPOSITIONS

Éva PÉTER

265-276
- PDF
THE OLD STYLE SONG IN THE LAND OF THE FORESTERS, HUNEDOARA. MELODIC TYPES WITH REFRAIN RESULTED FROM MELODIC INTERJECTIONS

Alina-Lucia STAN

277-295
- PDF
THE “FATALITY” MOTIF – A DEFINING ELEMENT IN THE MUSICAL DRAMATURGY OF THE OPERA "CARMEN" BY GEORGES BIZET

Adela BIHARI

297-308
- PDF
THE “WILD BEAUTY” OF BRAHMS’S RHAPSODIES, OP. 79. STRUCTURAL ANALYSIS AND COMPARATIVE ANALYSIS OF PERFORMANCES

Sebastian SHWAN, Stela DRĂGULIN

309-332
- PDF
THE POLONAISE IN FRÉDÉRIC CHOPIN’S WORKS. "ANDANTE SPIANATO AND THE GRANDE POLONAISE BRILLANTE" OP.22

Lioara FRĂȚILĂ

333-360
- PDF
MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI’S "HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS)"

Gabriela COCA

361-383
- PDF

Book Reviews

Book Review: RECONFIGURING MUSICAL CULTURES IN CENTRAL AND SOUTHEASTERN EUROPE

Belinda ROBINSON

385-390
- PDF

Volume 66, No. 2, December 2021

Full Issue

Articles

ADRIAN POP - IN SEARCH OF A LONG LOST SMILE

“DON’T LET ME GO”. A CASE STUDY ON MUSIC THERAPY IN EARLY-STAGE DEMENTIA

DIGITAL TRANSFORMATION TRENDS IN MUSIC TEACHING AND TRAINING SYSTEMS

STYLE AS A TOPICAL CATEGORY OF MODERN MUSICOLOGY AND MUSIC EDUCATION

GOLDEN ERA OF BAROQUE DANCE

THE EVOLUTION OF ITALIAN MELODRAMA: FROM DONIZETTI TO VERDI

FEATURES OF IRISH DANCE MUSIC

INDIAN CULTURE AND MUSIC AS A SOURCE OF INSPIRATION FOR FRENCH OPERA COMPOSERS

FRIENDSHIP OF WELL-KNOWN AND UNDESERVEDLY FORGOTTEN MASTERS IN LATE 19TH AND EARLY 20th CENTURY RUSSIAN PIANO MUSIC. THE LIFE AND WORK OF MEDTNER, RACHMANINOFF, AND SCRIABIN

RETROSPECTIVE REVIEW OF THE DEVELOPMENT OF THE CONCEPTS OF CONSONANCE AND DISSONANCE: ON THE PROBLEM OF MUSICAL AND AESTHETIC AS WELL AS PHYSICAL AND MATHEMATICAL INTERPRETATION

SYNCRETIC TRENDS IN CONTEMPORARY WESTERN EUROPEAN VOCAL AND CHORAL ART: THE CHALLENGE OF TODAY

REGIETHEATER – THE BIG CHALLENGE FOR THE OPERA OF OUR TIMES

GENRE HYBRIDS IN THE SYMPHONICAL CREATIVITY OF Ye. PETRYCHENKO AS A REFLECTION OF TIME TRENDS

THE EVOLUTION OF OPERA PERFORMANCE FROM SCENOGRAPHIC MIRACLES TO THE OPERA PRODUCTIONS OF THE NINETEENTH CENTURY

J. G. TROMLITZ’S ARTICULATORY PHONETICS IN FLUTE SOUND FORMATION

BREATHING TECHNIQUES IN THE PARIS SINGING TREATISE ("MÉTHODE DE CHANT", PARIS, 1803)

THE ROLE OF FACIAL EXPRESSIONS IN THE ART OF MUSICAL CONDUCTING

THE ROLE OF THE HUNGARIAN ROMAN CATHOLIC CHURCH COMMUNITY SONG IN THE TRANSFORMATION PROCESS OF THE ARMENIAN LITURGICAL REPERTOIRE IN TRANSYLVANIA

JENŐ ÁDÁM’S CHURCH MUSIC COMPOSITIONS

THE OLD STYLE SONG IN THE LAND OF THE FORESTERS, HUNEDOARA. MELODIC TYPES WITH REFRAIN RESULTED FROM MELODIC INTERJECTIONS

THE “FATALITY” MOTIF – A DEFINING ELEMENT IN THE MUSICAL DRAMATURGY OF THE OPERA "CARMEN" BY GEORGES BIZET

THE “WILD BEAUTY” OF BRAHMS’S RHAPSODIES, OP. 79. STRUCTURAL ANALYSIS AND COMPARATIVE ANALYSIS OF PERFORMANCES

THE POLONAISE IN FRÉDÉRIC CHOPIN’S WORKS. "ANDANTE SPIANATO AND THE GRANDE POLONAISE BRILLANTE" OP.22

MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI’S "HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS)"

Book Reviews

Book Review: RECONFIGURING MUSICAL CULTURES IN CENTRAL AND SOUTHEASTERN EUROPE

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