Volume 67, Special Issue 1, July 2022

Articles

• MUSICAL AMATEUR PERFORMANCE IN UKRAINE OF THE 1930s AS THE MANIFESTATION OF SOVIET TOTALITARIAN IDEOLOGY

  Inna LISNIAK, Tetiana CHERNETA, Iryna TUKOVA

  7-20

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• THE CHALLENGES OF PROFESSIONAL COMPETENCE OF LVIV REGION MILITARY CONDUCTORS IN THE FIRST DECADES OF THE XXth CENTURY

  Vadym HORBAL

  21-32

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• GENRE TRADITION AS AN ARTISTIC CATEGORY (ON THE EXAMPLE OF UKRAINIAN ORGAN MUSIC OF THE LATE XX – EARLY XXI CENTURY)

  Daryna KUPINA, Valentina REDYA

  33-48

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• A “WELL-TEMPERED FLUTE” BY T. BOEHM – THE FINAL STAGE OF ITS EVOLUTION AND THE STANDARDIZATION OF ITS TUNING SYSTEM

  Volodymyr KACHMARCHYK, Nataliia KACHMARCHYK

  49-62

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• CHORAL MUSIC BY SAMUEL BARBER: GENRE AND STYLE ASPECTS

  Valeriya ZHARKOVA, Tymur IVANNIKOV, Tetiana FILATOVA, Oleksandr ZHARKOV, Olena ANTONOVA

  63-77

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• PRACTICES OF VISUAL ARTS IN THE MUSIC OF THE TWENTIETH AND EARLY TWENTY-FIRST CENTURIES

  Asmati CHIBALASHVILI, Polina KHARCHENKO, Igor SAVCHUK, Victor SYDORENKO, Ruslana BEZUHLA

  79-101

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• THE PRINCIPLES OF INTERPRETATION OF THE POETIC PRIMARY SOURCE IN BALLADS BY F. SCHUBERT, S. MONIUSZHKO, H. WOLF ON GOETHE’S TEXT «KENNST DU DAS LAND»

  Nataliya GOVORUKHINA

  103-113

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• GENRE EVOLUTION OF THE PSALM AND ECCLESIASTICAL MINIATURE

  Maryna VARAKUTA

  115-126

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• J. PEZEL’S MUSIC FOR THE ENSEMBLE OF COPPER WIND INSTRUMENTS IN THE CONTEXT OF GERMAN TRADITION OF 17th CENTURY

  Victor SLUPSKYI Victor SLUPSKYI

  127-145

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