Volume 68, Special Issue 2, August 2023

STUDIA UBB MUSICA, Volume 68 (LXVIII), Special Issue 2, August 2023

Volume 68, Special Issue 2, August 2023, ISSUE DOI:10.24193/subbmusica.2023.spiss2

MUSICAL STYLISTICS, PERFORMANCE AND ANALYSIS

DOI: https://doi.org/10.24193/subbmusica.2023.spiss2

Published: 2023-08-15

Full Issue

Articles

THE MUSICAL STYLE OF SÁNDOR VERESS’S „FOUR TRANSYLVANIAN DANCES”. THE SYNTHESIS OF ‘TRADITION’ AND ‘RENEWAL’

Miklós FEKETE

9-23
- pdf
SÁNDOR VERESS’S „THRENOS” IN THE LIGHT OF ‘TRADITION’ AND ‘RENEWAL’

Miklós FEKETE

25-38
- pdf
THE EXOTICISM OF OLIVIER MESSIAEN

Mădălina Dana RUCSANDA, Noémi KARÁCSONY

39-54
- pdf
HIDE-AND-SEEK BETWEEN THE SERIAL AND THE MODAL IN ANATOL VIERU’S CONCERTI

Olguța LUPU

55-67
- pdf
[CO]EXISTENCE AS INTERSENSORIALITY IN THE SYMPHONIES OF HAVASI BALÁZS

Maria-Roxana BISCHIN

69-86
- pdf
EVOLVEMENT OF SYNCRETIC MUSIC: THE AESTHETIC VALUES OF MALAYSIAN POPULAR AND TRADITIONAL MUSIC

Md Jais ISMAIL, Fung Chiat LOO

87-105
- pdf
MUSIC QUOTATION IN CONTEMPORARY NON-ACADEMIC ART: ASPECTS OF GENRE AND STYLE TRANSFORMATION

Violetta ARTEMENKO

107-120
- pdf
A PERFORMANCE INTERPRETATION OF THE VIENNESE CLASSICS BY THE EXAMPLE OF FANTASIA FOR PIANO, CHORUS AND ORCHESTRA IN C MINOR, OP. 80 BY LUDWIG VAN BEETHOVEN

Nataliya BYELIK-ZOLOTAROVA, Natalya ZOLOTARYOVA, Viacheslav BOIKO, Tetiana SUKHOMLINOVA, Olena ZAVERUKHA

121-150
- pdf
INTERPRETATIVE TRENDS OF BEETHOVEN’S ORNAMENTATION

Mihaela ITIGAN, Stela DRĂGULIN

151-163
- pdf
ARTISTIC ENERGY OF THE PERFORMERS IN THE MIRROR OF THEIR REPERTOIRE PREFERENCES

Mаrianna CHERNYAVSKA, Iryna IVANOVA, Kira TIMOFEYEVA, Tetiana SYRIATSKA, Oksana MITS

165-179
- pdf
EXPLORING LEARNING AND UNLEARNING IN SINGING TECHNIQUE (BREATH)

Cristina RADU-GIURGIU

181-196
- pdf
MODIFYING PROCESSUALITY OF EMOTIONS OF A MUSICIAN-PERFORMER

Vitalii ZAIETS, Oksana ZAIETS

197-206
- pdf
VOCAL IMPROVISATION – A COGNITIVE AND A PSYCHOLOGICAL PROCESS

Luiza ZAN, Stela DRĂGULIN

207-218
- pdf
MUSIC MEDIATION ON STAGE

Dalma Lidia TOADERE

219-231
- pdf
TAPPING INTO UNKNOWN MUSICAL AREAS ANALYSIS OF A MEDIEVAL BOHEMIAN MUSICAL MANUSCRIPT

Szabolcs MÁRTON

233-253
- pdf
ANALYTICAL ASPECTS IN "MISSA DE BEATA VIRGINE" BY JOSQUIN DES PREZ

Apolka FÁBIÁN

255-274
- pdf
“ADIEUX À BACH”

Sára AKSZA GROSZ

275-287
- pdf
THE VARIANT METHOD OF COMPOSITION IN THE VOCAL WORKS BY FRANZ LISZT

Oksana ALEKSANDROVA, Nataliya GOVORUKHINA

289-302
- pdf
EDWARD MACDOWELL’S PIANO CONCERTO NO. 2 IN THE CONTEXT OF THE ESTABLISHMENT OF THE AMERICAN BRANCH OF THE GENRE

Olena ANTONOVA

303-314
- pdf
COLORISTIC TONAL AND HARMONIC COMPOSITIONAL TECHNIQUES IN ZOLTÁN GÁRDONYI’S CHORAL WORKS FOR ORGAN

János Zsolt IMRE

315-325
- pdf
STEVE REICH’S STYLE AND COMPONISTIC CONCEPTS REFLECTED IN TEHILLIM SCORE

Alexandra BELIBOU

327-341
- pdf
EXPLORING CHINESE CULTURAL IDENTITY IN THE LIANG ZHU VIOLIN CONCERTO: AN INTERCULTURAL PERSPECTIVE ON THE ADAPTATION OF TRADITIONAL ELEMENTS IN WESTERN CLASSICAL MUSIC LANGUAGE

Maria-Magdalena SUCIU, Stela DRĂGULIN

343-360
- pdf
SOPRANOTRONICS 101. AN ANALYTICAL APPROACH WITH REPERTORIAL PROPOSAL

Mihaela BUHAICIUC

361-375
- pdf
INTERFERENCES BETWEEN TRADITION AND MODERNITY IN THE SYMPHONIC AND CONCERTO WORKS BY ADRIAN POP – (1) THE CELLO CONCERTO

Paula ȘANDOR

377-412
- pdf

Book Reviews

THE BOOK OF A THOUSAND IMAGES AND MEANINGS [Pascal Bentoiu, “Imagine și sens (Image and meaning)”, Bucharest: Eikon, 2023]

Oleg GARAZ

413-421
- pdf
COMPOZITORI CLUJENI. GENERAȚIA ‘76-’80 [CLUJ COMPOSERS. ‘76-’80 GENERATION]

Cristina ȘUTEU

423-428
- pdf

Volume 68, Special Issue 2, August 2023

Full Issue

Articles

THE MUSICAL STYLE OF SÁNDOR VERESS’S „FOUR TRANSYLVANIAN DANCES”. THE SYNTHESIS OF ‘TRADITION’ AND ‘RENEWAL’

SÁNDOR VERESS’S „THRENOS” IN THE LIGHT OF ‘TRADITION’ AND ‘RENEWAL’

THE EXOTICISM OF OLIVIER MESSIAEN

HIDE-AND-SEEK BETWEEN THE SERIAL AND THE MODAL IN ANATOL VIERU’S CONCERTI

[CO]EXISTENCE AS INTERSENSORIALITY IN THE SYMPHONIES OF HAVASI BALÁZS

EVOLVEMENT OF SYNCRETIC MUSIC: THE AESTHETIC VALUES OF MALAYSIAN POPULAR AND TRADITIONAL MUSIC

MUSIC QUOTATION IN CONTEMPORARY NON-ACADEMIC ART: ASPECTS OF GENRE AND STYLE TRANSFORMATION

A PERFORMANCE INTERPRETATION OF THE VIENNESE CLASSICS BY THE EXAMPLE OF FANTASIA FOR PIANO, CHORUS AND ORCHESTRA IN C MINOR, OP. 80 BY LUDWIG VAN BEETHOVEN

INTERPRETATIVE TRENDS OF BEETHOVEN’S ORNAMENTATION

ARTISTIC ENERGY OF THE PERFORMERS IN THE MIRROR OF THEIR REPERTOIRE PREFERENCES

EXPLORING LEARNING AND UNLEARNING IN SINGING TECHNIQUE (BREATH)

MODIFYING PROCESSUALITY OF EMOTIONS OF A MUSICIAN-PERFORMER

VOCAL IMPROVISATION – A COGNITIVE AND A PSYCHOLOGICAL PROCESS

MUSIC MEDIATION ON STAGE

TAPPING INTO UNKNOWN MUSICAL AREAS ANALYSIS OF A MEDIEVAL BOHEMIAN MUSICAL MANUSCRIPT

ANALYTICAL ASPECTS IN "MISSA DE BEATA VIRGINE" BY JOSQUIN DES PREZ

“ADIEUX À BACH”

THE VARIANT METHOD OF COMPOSITION IN THE VOCAL WORKS BY FRANZ LISZT

EDWARD MACDOWELL’S PIANO CONCERTO NO. 2 IN THE CONTEXT OF THE ESTABLISHMENT OF THE AMERICAN BRANCH OF THE GENRE

COLORISTIC TONAL AND HARMONIC COMPOSITIONAL TECHNIQUES IN ZOLTÁN GÁRDONYI’S CHORAL WORKS FOR ORGAN

STEVE REICH’S STYLE AND COMPONISTIC CONCEPTS REFLECTED IN TEHILLIM SCORE

EXPLORING CHINESE CULTURAL IDENTITY IN THE LIANG ZHU VIOLIN CONCERTO: AN INTERCULTURAL PERSPECTIVE ON THE ADAPTATION OF TRADITIONAL ELEMENTS IN WESTERN CLASSICAL MUSIC LANGUAGE

SOPRANOTRONICS 101. AN ANALYTICAL APPROACH WITH REPERTORIAL PROPOSAL

INTERFERENCES BETWEEN TRADITION AND MODERNITY IN THE SYMPHONIC AND CONCERTO WORKS BY ADRIAN POP – (1) THE CELLO CONCERTO

Book Reviews

THE BOOK OF A THOUSAND IMAGES AND MEANINGS [Pascal Bentoiu, “Imagine și sens (Image and meaning)”, Bucharest: Eikon, 2023]

COMPOZITORI CLUJENI. GENERAȚIA ‘76-’80 [CLUJ COMPOSERS. ‘76-’80 GENERATION]

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