Volume 69, Special Issue 1, July 2024

Articles

• The Impact of an Individual Approach on the Development of the Pianist’s Performance Skills at a Higher Educational Institution

  Olha LIASHENKO, Vyacheslav POLYANSKYI, Yevhen KURYSHEV, Lyudmyla HARKUSHA, Tetiana BUTENKO, Kateryna BALIURA

  7-26

  • pdf

• The Influence of an Individual Teaching Method on the Development of Performing Skills of Musicians-Instrumentalists

  Liudmyla SEMKO, Yevheniia PROVOROVA, Oksana GOROZHANKINA, Marharyta MALAKHOVA, Oksana STANKO

  27-48

  • pdf

• Landscape in the Twentieth Century Composing in the Aspect of Performing Interpretation

  Nataliya BYELIK-ZOLOTARYOVA, Olena ZAVERUKHA, Olga MYKHAILOVA, Tetiana SUKHOMLINOVA, Olena CHUMAK

  49-70

  • pdf

• Donizetti – Inediti per Tenore

  Liviu IFTENE

  71-82

  • pdf

• The Evolution of the French Chanson During the Renaissance: From the Parisian Chanson to the Pléiade Chansons, and the Air du Cour

  Noémi KARÁCSONY, Mădălina Dana RUCSANDA

  83-100

  • pdf

• A Bridge Over Times – The History and Modernity of Choral Chant in the Orthodox Church of Bessarabia, From Creation to Reception

  Stela GUŢANU

  101-114

  • pdf

• Metropolitan Cathedral Choir. 100 Years Since Its Foundation

  Daniel MOCANU

  115-132

  • pdf

• From ‘musique concrète’ and Acousmatic Art to the ‘New Music Theater’. The Austrian Composer Dieter Kaufmann

  Ana SZILÁGYI

  133-143

  • pdf

• Scherzo Op. 31, No. 2 by Frédéric Chopin

  Lioara POPA

  145-156

  • pdf

• Max Reger’s Organ Fantasias Based on Chorale Melodies

  Eva PÉTER

  157-169

  • pdf

• Fantasy and Innovation in Deux pièces pour clavecin, h. 244 by Bohuslav Martinů

  Diana ICHIM, Botond SZŐCS, Stela DRĂGULIN

  171-184

  • pdf

• Heterophony in “Solo for Marimbaphone and Vibraphone”, Composed by Ştefan Niculescu

  Alexandru ANASTASIU

  185-192

  • pdf

• Myths, the Focus of 20th Century Composers. Aurel Stroe – Orestia II

  Iuliana ISAC

  193-203

  • pdf

• Tradition and Modernism in the Works of Wilhelm Georg Berger; Sonata for Viola and Cello Op. 18

  Leona VARVARICHI

  205-214

  • pdf

• The Gates of Sky by Ede Terényi: Music Analysis

  Attila FODOR

  215-259

  • pdf

• Da Pacem Domine by Arvo Pärt. The Stylistic and Interpretative Analysis – Conductor’s Guide

  Dragoș-Mihai COHAL

  261-275

  • pdf

• A Multilevel Analysis of Fazil Say’s Sonata for Violin and Piano Op.7

  Botond SZŐCS, Magdalena SUCIU, Stela DRĂGULIN

  277-290

  • pdf