THE ARTIST AS CURATOR IN POST-INTERNET ART

Authors

  • Andra MAVROPOL PhD student at the Doctoral School of Philosophy, Faculty of History and Philosophy, Babeș-Bolyai University, Cluj-Napoca, Romania. E-mail: mavropol.andra@gmail.com

Keywords:

artist, curator, post-internet, readymade, uncreativity

Abstract

The Artist as Curator in Post-Internet Art. The aim of this essay is an examination of the idea of the artist as curator in the contemporary phenomenon called post-internet art. First of all I will focus on the conditions in which post-internet art reverses the concept of creativity with that of selection, as it also alters the role of the gallery, which becomes ‘a point of departure, not a destination’ (D. Quaranta). Secondly, I will turn to a conceptual analysis and a comparative analysis of the objects of post-internet art and Duchamp’s ready mades. The idea of the artist as curator is relevant in the context of contemporary art because it causes a chasm between the traditional approaches of the artist and of the objects that fall into the category of the term art.

References

Burke, Harry, “Uncreative Writing, Poetry and Language” in No Internet, No Art. A Lunch Bytes Anthology, Ed. By Melanie Buhler, Onomatopee 102, 2015, pp. 34‒39.

Easterling, Keller, “An Internet of Things” in The Internet does not exist, Sternberg Press, 2015, pp. 27‒39.

Goldsmith, Kenneth, “From Uncreative Writing”, in No Internet, No Art. A Lunch Bytes Anthology, Onomatopee 102, 2015, pp. 24‒33.

Judovitz, Dalia, Unpacking Duchamp: Art in Transit, University of California Press, 1998.

Lambert, Nicholas, “Internet Art versus the Institutions of art” in Art and the Internet, London: Black Dog Publishing, 2013.

Olson, Marisa, “Postinternet: Art After the Internet”, 2011, in Art and the Internet, Black Dog Publishing, 2015, pp. 212‒215.

Paul O’Neill, The Culture of Curating and the Curating of Culture(s), Massachussetts Institute of Technology, 2012.

Quaranta, Domenico, “Authorship, Appropriation, Surfing Clubs and Post-Internet Art” in No Internet, No Art. A Lunch Bytes Anthology, Ed. By Melanie Buhler, Onomatopee 102, 2015, pp. 50‒56.

Sollfrank, Cornelia, “Nothing New Needs to Be Created: Kenneth Goldsmith's Claim to Uncreativity”, No Internet, No Art. A Lunch Bytes Anthology, Ed. By Melanie Buhler, Onomatopee 102, 2015, pp. 40‒56.

x x x

Groys, Boris, “Politics of Installation”, http://conversations.e-flux.com/t/e-flux-journal-redux-boris-groys-politics-of-installation/3065

Valla, Clement, http://www.3d-maps-minus-3d.com/#info

http://032c.com/2016/how-arts-post-human-turn-began-in-kassel/

http://www.slideshare.net/rhizomedotorg/net-art-anatomy-by-rhizome

http://www.digicult.it/digimag/issue-064/josephine-bosma-nettitudes-lets-talk-net-art/

Downloads

Published

2016-12-30

How to Cite

MAVROPOL, A. (2016). THE ARTIST AS CURATOR IN POST-INTERNET ART. Studia Universitatis Babeș-Bolyai Philosophia, 61(Special Issue), 157–165. Retrieved from http://193.231.18.162/index.php/subbphilosophia/article/view/5307