THE KODÁLY CONCEPT WITHIN HUNGARIAN MUSIC EDUCATION IN TRANSYLVANIA

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DOI:

https://doi.org/10.24193/subbmusica.2023.1.10

Keywords:

let music be for everyone, folk music-based vocal music education, folk music research, textbooks, song anthologies, curricula

Abstract

The present study focuses on the native Hungarian music education in Transylvania, tracing the principles and practical elements of the Kodály concept from kindergarten to higher education. It highlights the work of Transylvanian folk music researchers, composers and teachers who helped the Kodály concept to take root in Transylvanian Hungarian music culture through their compositions, theoretical writings, or practical activities. Evidence of this can be found in theoretical writings, compositions, curricula, textbooks, and song anthologies.

References

Benkő, András, János Jagamas (1913-1997), In: Művelődés, Volume LI, No. 2, Cluj-Napoca, 1998, 14-15.

Jagamas, János, Miért nem népdal? (Why not folk songs?), In: Művelődés, Vol. XXXIII/5, Cluj-Napoca, 1980, 30-33.

Kodály, Zoltán, Visszatekintés (Retrospective), Volume I, Zeneműkiadó, Budapest, 1974.

Péter, Éva, János Jagamas' Folk Song Arrangements, In: Studia Universitatis Babeş-Bolyai Musica, No.: LXV-2, 2020, 307-320.

Szabó, Csaba, Zene és szolgálat (Music and Service), Kriterion, Bucharest, 1980.

***, Tavaszi szél vizet áraszt (The Spring Wind Gives Way to Water), 230 Hungarian folk songs. Ed. by Almási, István, Kriterion, Bucharest, 1982.

***, Üvegszilánkok között – Szabó Csaba emlékkönyv (Between Fragments of glass - In memoriam Csaba Szabó), Ed. by Ittzés Mihály, Szabó Péter, Cellissimo, Budapest, 2013.

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Published

2023-06-30

How to Cite

PÉTER, Éva . (2023). THE KODÁLY CONCEPT WITHIN HUNGARIAN MUSIC EDUCATION IN TRANSYLVANIA. Studia Universitatis Babeș-Bolyai Musica, 68(1), 175–184. https://doi.org/10.24193/subbmusica.2023.1.10

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