Volume 64, No. 2, December 2019

STUDIA UBB MUSICA, Volume 64 (LXIV), No. 2, December 2019

Volume 64, No. 2, December 2019, ISSUE DOI: 10.24193/subbmusica.2019.2

DOI: https://doi.org/10.24193/subbmusica.2019.2

Published: 2019-12-10

Full Issue

Laudatio

Laudatio: Ad multos annos dear Zoltán Majó!

János MOLNÁR

9-11
- pdf

Articles

FEMALE CHARACTERS IN SERAGLIO GENRE: CHANGING SOCIAL MILIEU AND PUBLIC SPACE FOR WOMEN DURING THE EIGHTEENTH CENTURY

Oak Joo YAP

13-30
- pdf
GETTING ACQUAINTED WITH THE SOUND OF THE PIANO IN THE HUNGARIAN 5TH GRADE ELEMENTARY SCHOOL MUSIC LESSONS DURING THE 1960S

Henriett KISS

31-44
- pdf
THE REALITY OF THE SUBSTANCE’S PARALOGISM IN VIOLIN MUSIC, THE „CHACONNE IN G MINOR” CASE. A PHENOMENOLOGIC CIRCULARITY ON THE IDEA OF ‚BEAUTY’ IN THE SOUNDS – THE LINE BACH – VITALI - HEIFETZ

Maria-Roxana BISCHIN

45-65
- pdf
CONTEMPORARY AND TRADITIONAL PATTERNS IN BRUNO MADERNA’S VOCAL WORKS

Ioana BADIU-AVRAM

67-79
- pdf
THE MOST SIGNIFICANT MUSICAL INFLUENCES ON ROMANIAN COMPOSERS DURING THE STALINIZATION YEARS

Lois Paula VĂDUVA

81-99
- pdf
HERKUNFT UND ENTWICKLUNG DES KIRCHLICHEN CHORGESANGS IN DEN RUMÄNISCHEN LÄNDERN UND SIEBENBÜRGEN. MUSIKOLOGISCHE PERSPEKTIVEN

Mihai BRIE

101-120
- pdf
THE INFLUENCE OF THE HRYSANTIC REFORM ON THE RELIGIOUS CHURCH MUSIC IN TRANSYLVANIA

Daniel MOCANU

121-146
- pdf
A STUDY OF THE EFFICIENCY OF MUSIC THERAPY, ART AND PLAY THERAPY ON HOSPITALIZED CHILDREN DIAGNOSED WITH CHRONIC ILLNESSES

Lois Paula VĂDUVA, Annamaria BALLA

147-160
- pdf
COMPARATIVE ANALYSIS OF FRYDERYK CHOPIN’S AND JOHN FIELD’S NOCTURNES PART II – CONTINUE FROM PREVIOUS ISSUE

Tímea SZILVESZTER

161-188
- pdf
THE RELATIONSHIP BETWEEN POETRY AND MUSIC IN THE MÉLODIES OF REYNALDO HAHN

Noémi KARÁCSONY

189-200
- pdf
THE ENDRE ADY POEMS FEATURED WITHIN LÁSZLÓ HALMOS’ OEUVRE

Eva PÉTER

201-214
- pdf
FIVE SKETCHES FOR PIANO. AN AVANT-GARDE WORK OF PÉTER VERMESY

Attila FODOR

215-228
- pdf
INTERPRETATIVE-ANALYTICAL HYPOSTASES IN “SEPT FRAGMENTS DE TRISTAN TZARA” FOR VOICE AND PIANO BY ADRIAN POP

Lavinia CHERECHES

229-259
- pdf
FISSURES FOR ENSEMBLE

Áron TÖRÖK-GYURKÓ

261-285
- pdf
POLARIZATION FOR PIANO

Áron TÖRÖK-GYURKÓ

287-292
- pdf
SPLINTER(S) FOR VIOLIN

Áron TÖRÖK-GYURKÓ

293-295
- pdf

Volume 64, No. 2, December 2019

Full Issue

Laudatio

Laudatio: Ad multos annos dear Zoltán Majó!

Articles

FEMALE CHARACTERS IN SERAGLIO GENRE: CHANGING SOCIAL MILIEU AND PUBLIC SPACE FOR WOMEN DURING THE EIGHTEENTH CENTURY

GETTING ACQUAINTED WITH THE SOUND OF THE PIANO IN THE HUNGARIAN 5TH GRADE ELEMENTARY SCHOOL MUSIC LESSONS DURING THE 1960S

THE REALITY OF THE SUBSTANCE’S PARALOGISM IN VIOLIN MUSIC, THE „CHACONNE IN G MINOR” CASE. A PHENOMENOLOGIC CIRCULARITY ON THE IDEA OF ‚BEAUTY’ IN THE SOUNDS – THE LINE BACH – VITALI - HEIFETZ

CONTEMPORARY AND TRADITIONAL PATTERNS IN BRUNO MADERNA’S VOCAL WORKS

THE MOST SIGNIFICANT MUSICAL INFLUENCES ON ROMANIAN COMPOSERS DURING THE STALINIZATION YEARS

HERKUNFT UND ENTWICKLUNG DES KIRCHLICHEN CHORGESANGS IN DEN RUMÄNISCHEN LÄNDERN UND SIEBENBÜRGEN. MUSIKOLOGISCHE PERSPEKTIVEN

THE INFLUENCE OF THE HRYSANTIC REFORM ON THE RELIGIOUS CHURCH MUSIC IN TRANSYLVANIA

A STUDY OF THE EFFICIENCY OF MUSIC THERAPY, ART AND PLAY THERAPY ON HOSPITALIZED CHILDREN DIAGNOSED WITH CHRONIC ILLNESSES

COMPARATIVE ANALYSIS OF FRYDERYK CHOPIN’S AND JOHN FIELD’S NOCTURNES PART II – CONTINUE FROM PREVIOUS ISSUE

THE RELATIONSHIP BETWEEN POETRY AND MUSIC IN THE MÉLODIES OF REYNALDO HAHN

THE ENDRE ADY POEMS FEATURED WITHIN LÁSZLÓ HALMOS’ OEUVRE

FIVE SKETCHES FOR PIANO. AN AVANT-GARDE WORK OF PÉTER VERMESY

INTERPRETATIVE-ANALYTICAL HYPOSTASES IN “SEPT FRAGMENTS DE TRISTAN TZARA” FOR VOICE AND PIANO BY ADRIAN POP

FISSURES FOR ENSEMBLE

POLARIZATION FOR PIANO

SPLINTER(S) FOR VIOLIN

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