Volume 67, Special Issue 2, December 2022

Articles

• THE ORIGIN OF THE CONCEPT OF STYLE IN EUROPEAN MUSICAL THINKING

  Oleg GARAZ

  7-19

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• CHINESE NATIONAL PIANO STYLE IN “TWO POEM CLASSICS OF THE TANG DYNASTY” BY XU ZHENMIN

  Oleg BEZBORODKO

  21-32

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• REFERENCES INDIAN RHYTHMIC GESTURE AND TINTA IN FRENCH OPERAS OF THE SECOND HALF OF THE 19ᵀᴴ CENTURY AND EARLY 20ᵀᴴ CENTURY

  Noémi KARÁCSONY, Mădălina Dana RUCSANDA, Mihaela BUHAICIUC

  33-50

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• THE STYLISTIC FEATURES OF VASILIJE MOKRANJAC’S PIANO COMPOSITIONS

  Virđinia TOTAN, Petruța-Maria COROIU

  51-64

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• MUSICAL SYMBOLS IN THE OPERA "THE THREE SISTERS" BY PÉTER EÖTVÖS

  Krisztina SINKA

  65-72

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• TRADITIONS AND INNOVATIONS IN CONTEMPORARY VOCAL AND CHORAL ART

  Olena BATOVSKA, Natalia GREBENUK, Nataliya BYELIK-ZOLOTARYOVA, Yuliia IVANOVA, Tetiana SUKHOMLINOVA, Iana KAUSHNIAN

  73-98

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• FUNDAMENTAL ANALYSIS OF CHICK COREA’S IMPROVISATION IN "SPAIN" (1972)

  Florin BĂLAN

  99-110

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• SPECIFIC SOUND PRODUCTION TECHNIQUES IN ACADEMIC GUITAR MUSIC

  Tymur IVANNIKOV, Tetiana FILATOVA

  111-125

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• THE CONNECTION BETWEEN A PROFESSIONAL SINGER’S INTONATION AND THE COORDINATION OF THE CYBERNETIC CIRCUITS OF THE EAR

  Anda Olimpia POP, Ignác Csaba FILIP

  127-141

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• ZOLTÁN KODÁLY, SEVEN PIANO PIECES OP. 11

  Judit CSÜLLÖG

  143-161

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• CONSTRAINT AND FREEDOM. KODÁLY: “CHILDREN’S DANCES” AND “24 LITTLE CANONS ON THE BLACK KEYS”

  Krisztina VÁRADY

  163-188

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• ZOLTÁN KODÁLY: HUSZT – A CHORAL WORK COMPOSED ON A POEM BY FERENC KÖLCSEY

  Gabriela COCA

  189-201

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• IN SEARCH OF “THE MORE IMPORTANT” IN STRING QUARTET NO. 1 BY DIETER ACKER

  Iulia MOGOȘAN

  203-224

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• FROM CHOIR TO STRING QUARTET – SOUND METAMORPHOSES IN THE COMPOSITION OF THE WORK “OPT BAGATELE PENTRU CVARTET DE COARDE” BY ADRIAN POP

  Cristian BENCE-MUK

  225-255

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