TRADITIONS AND INNOVATIONS IN CONTEMPORARY VOCAL AND CHORAL ART

Authors

  • Olena BATOVSKA Doctor of Arts, Professor of Department of Choral Conducting, Faculty of Performing and Musicology, Kharkiv National University of Arts named after I. P. Kotlyarevsky, Constitution Square, 11/13, Kharkiv, 61003, Ukraine, olenamb1@gmail.com https://orcid.org/0000-0002-1435-1245
  • Natalia GREBENUK Doctor of Arts, Professor of Department of Choral Conducting, Faculty of Performing and Musicology, Kharkiv National University of Arts named after I. P. Kotlyarevsky, Constitution Square, 11/13, Kharkiv, 61003, Ukraine, ng29rebenuk@gmail.com https://orcid.org/0000-0003-1279-2183
  • Nataliya BYELIK-ZOLOTARYOVA Candidate of Arts, Professor of Department of Choral Conducting, Faculty of Performing and Musicology, Kharkiv National University of Arts named after I. P. Kotlyarevsky, Constitution Square, 11/13, Kharkiv, 61003, Ukraine, 1bueliikzolotava3i@ukr.net https://orcid.org/0000-0003-3670-4037
  • Yuliia IVANOVA Candidate of Arts, Associate Professor of Department Choral Conducting and academic vocal, Faculty of Music Art, Kharkiv State Academy of Culture, 4, Bursatskyi uzviz, Kharkiv, 61057, Ukraine, Ivochkaulia@gmail.com https://orcid.org/0000-0001-5529-5713
  • Tetiana SUKHOMLINOVA Candidate of Arts, Senior Lecturer of Department Choral Conducting and academic vocal, Faculty of Music Art, Kharkiv State Academy of Culture, 4, Bursatskyi uzviz, Kharkiv, 61057, Ukraine, sukhomlinova1tety@gmail.com https://orcid.org/0000-0002-7251-0793
  • Iana KAUSHNIAN Candidate of Art, Senior lecturer of Department of Solo Singing and Opera Training, Faculty of Performing and Musicology, Kharkiv National University of Arts named after I. P. Kotlyarevsky, Constitution Square, 11/13, Kharkiv, 61003, Ukraine, yanina4kashubi2@ukr.net https://orcid.org/0000-0002-9676-224X

DOI:

https://doi.org/10.24193/subbmusica.2022.spiss2.06

Keywords:

academic vocal performance; performance software support; practice of vocal and choral art; educational and performance activities; breathing exercises; artistic directing; monitoring of educational and concert practice.

Abstract

The problem of traditions and innovations in vocal and choral performance is a large-scale, many-sided integral system. This phenomenon
of musical culture combines the classical direction and modernization of interpretation processes, which determines the topicality of the research. The aim of the article was to reveal the phenomenon of traditions and innovations in vocal and choral art as a complex multi-vector phenomenon that includes components of different scales, content, and functions that they perform. Methods. The research involved theoretical and practical methods. Problem: theoretical methods are represented by the analysis and arrangement of materials; identification of the main elements of the problem; generalization of the data obtained during the research. The practical methods are based on the search for and collection of scientific concepts and empirical data from the fields of performance, history, pedagogy, philosophy, aesthetics, medicine; on the monitoring of educational, as well as concert and performing activities; creative collaboration with soloists and the choral group. Results. The problem of traditions and innovations in vocal and choral performance is based on the following blocks: preservation of classical principles of academic vocal performance; their synthesis with discoveries and achievements of other spheres; modernization promoted by the expansion and updating of the genre framework, as well as modern engineering equipment. Conclusions. The fact of significance of the phenomenon of traditions and innovations in vocal and choral performance for the culture of society was revealed during the research. Its universality as a many-sided, flexible, large-scale integral phenomenon which consists of many different elements that play a leading role in its formation and are closely related was proved. Its interaction with different areas of society is shown. Prospects. The issue of traditions and innovations in vocal and choral performance is constantly enriched with new content, expands the scope of its implementation and interaction with various forms of social consciousness, science, medicine, which necessitates further study of this phenomenon.

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Published

2022-12-20

How to Cite

BATOVSKA, O., GREBENUK, N., BYELIK-ZOLOTARYOVA, N., IVANOVA, Y., SUKHOMLINOVA, T., & KAUSHNIAN, I. (2022). TRADITIONS AND INNOVATIONS IN CONTEMPORARY VOCAL AND CHORAL ART. Studia Universitatis Babeș-Bolyai Musica, 67(Special Issue 2), 73–98. https://doi.org/10.24193/subbmusica.2022.spiss2.06