HERMAN MELVILLE’S “BENITO CERENO” AND THE SUBVERSION OF THE SLAVERY IDEOLOGY
DOI:
https://doi.org/10.24193/subbphilo.2019.1.07Keywords:
ideology, power relations, racial dynamics, racial stereotypes, subversion, slavery.Abstract
Herman Melville’s Benito Cereno and the Subversion of the Slavery Ideology. The current paper aims to analyse in Herman Melville’s novella the interplay between the ambiguous narrative voice limited by Amasa Delano’s racially charged perception of events and the auctorial presence in the text. We argue that in Benito Cereno, the writer has constructed a symbolically charged but carefully targeted criticism against the social and moral failure of the slavery system in the U.S.
REZUMAT. Subminarea ideologiei sclaviei în nuvela lui Herman Melville „Benito Cereno”. Articolul de față își propune să analizeze nuvela lui Herman Melville din punctul de vedere al jocului dintre ambiguitatea vocii narative limitate de perceptia încărcat rasială a personajului Amasa Delano și prezența auctorială în text care pare să ezite între identificarea cu naratorul și respingerea înțelegerii realității de pe corbia cu sclavi dată de cel din urmă. Considerăm că prin Benito Cereno scriitorul a construit o critică încărcată simbolic dar bine țintită împotriva eșecului social și moral al sistemului sclavagist din Statele Unite.
Cuvinte cheie: ideologie, relații de putere, dinamica relațiilor rasiale, stereotipuri rasiale, subminare, sclavie.
References
Balfour, Lawrie. “What Babo Saw. Benito Cereno and “the World We Live In”. A Political Companion to Herman Melville. Ed. Jason Frank. Lexington: University Press of Kentucky, 2013. 259-280. Print.
Beavers, Herman. “The Blind Leading the Blind: The Racial Gaze as Plot Dilemma in ‘Benito Cereno’ and ‘The Heroic Slave’”. Criticism and the Color Line. Desegregating American Literary Studies. Ed. Henry B. Wonham. New Brunswick, New Jersey: Rutgers University Press, 1996. 205-229. Print.
Hayes, Kevin J. The Cambridge Introduction to Herman Melville. Cambridge: Cambridge University Press, 2007. Print.
Kavanagh, James H. “That Hive of Subtlety: ‘Benito Cereno’ and the Liberal Hero”. Ideology and Classic American Literature. Eds. Sacvan Bercovitch and Myra Jehlen. Cambridge: Cambridge University Press, 1986. 352-383. Print.
Melville, Herman. Benito Cereno in A Norton Critical Edition. Melville’s Short Stories. Authoritative Texts, Contexts, Criticism. Ed. Dan McCall. New York, London: W.W. Norton & Company, 2002. 34-102. Print
Strong, Tracy B. “’Follow Your Leader” Melville’s Benito Cereno and the Case of Two Ships.”. A Political Companion to Herman Melville. Ed. Jason Frank. Lexington: University Press of Kentucky, 2013. 281-309. Print.
Stuckey, Sterling. “The Tambourine in Glory: African Culture and Melville’s Art”. The Cambridge Companion to Herman Melville. Ed. Robert S. Levine. Cambridge: Cambridge University Press, 1998. 37-64. Print.
Sundquist, Eric. “Melville, Delany, and the New World Slavery”. Literary Theory: An Anthology. Eds. Julie Rivkin and Michael Ryan. Oxford: Blackwell Publishers, 1998. 827-848, Print.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2019 Studia Universitatis Babeș-Bolyai Philologia
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.