CONFORMISM VERSUS NON-CONFORMISM AS A QUEST FOR THE GENUINE IN ART IN GEORGE BOWERING’S “THE HAYFIELD”
DOI:
https://doi.org/10.24193/subbphilo.2017.1.19Keywords:
conformism, non-conformism, genuineness in art, painting and literature, literary criticism.Abstract
Conformism versus non-conformism as a quest for the genuine in art in George Bowering’s “The Hayfield”. Gordon Featherall, the art historian protagonist of Canadian writer George Bowering’s short story, “The Hayfield” aspires to become a genuine painter through his knowledge of art. Contemplating literary and pictorial aesthetics of the twentieth century and having studied the oeuvre of famous literary figures and painters, he makes an attempt at painting his subject, the hayfield. Will he succeed in his endeavors to achieve something genuine? Building on a detailed analysis of the protagonist’s painting-, and literature-related remarks, the paper aims at exploring the connection between conformism/ non-conformism in art and genuine artwork.
REZUMAT. Conformism versus non-conformism, mijloc de căutare a autenticului în artă, în “The Hayfield” de George Bowering. Gordon Featherall, istoricul de artă protagonistul al povestirii “The Hayfield” de George Bowering, năzuiește să devină un pictor autentic, prin cunoștințele sale din domeniul artei. Contemplând estetica literară și picturală a secolului al XX-lea și studiind, în prealabil, opera unor autori și pictori celebri, acesta încearcă să picteze subiectul ales, o fâneață. Va reuși el în demersul de a realiza ceva autentic? Bazându-se pe o analiză detaliată a picturii protagonistului, dar și pe aspecte ce țin de analiză literară, lucrarea își propune să exploreze conexiunea dintre conformism și non-conformism în arta autentică.
Cuvinte cheie: conformism, non-conformism, autenticitate în artă, pictură și literature, critică literară.
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