THE SIGNIFICANCE OF IMPROVISATION IN THE ETHNOGRAPHIC TYPE DANCES. A SHORT CASE STUDY: THE "CĂLUŞ"

Authors

  • Silvestru PETAC Transylvanian Museum of Ethnography, petacsilvestru@yahoo.com

Keywords:

improvisation,

Abstract

Improvisation is one of the essential choreutic processes for the folkloric nature of traditional dances, therefore it should be accorded the same importance in the dances of ethnographic type, as elements of a sustainable safeguarding. After a relatively consistent bibliographical introduction, centered on one of the studies based most on the Romanian choreic data, this article puts forward a short case study focusing on the ways improvisation reveals itself along the dances integrated in the ritual of Căluş. Detecting the mechanisms of the improvisation at the levels of its choreic texts and co-texts aims to reveal the significance of this process throughout the re-folklorization of the dances of ethnographic type.

References

Eriksen, Helene E., An Intimate Look at Improvisation, in Proceedings of the 20th Symposium of the ICTM Study Group on Ethnochoreology- Istanbul 1998, Traditional Dance and Its Historical Sources, Creative Processes in Dance: Improvisation and Composition, Boğaziçi University Printhouse, Etiler-İstanbul, Turkey, 2000.

Giurchescu, Anca, The process of improvisation in folk dance, in Dance Studies, vol.7, Lange R (ed), St. Peter, Jersey, Centre for Dance Studies, 1983.

Győrgy Martin, Improvisation and regulation in Hungarian folk Dances in Acta Ethnographica Academia Scientiarum Hungaricae, Tomus 29 (3-4), pp.391-425, Budapest, 1980.

Kaeppler Adrienne L., Spontaneous Choreography: Improvisation in Polynesian Dance in Yearbook for Traditional Music, Vol. 19 (1987), pp. 13-22 Published by: International Council for Traditional Music Stable URL: http://www.jstor.org/stable/767874 Accessed: 13/09/2008 14:11

Okstad Kari Margrete, Improvisation and Composition in Old Couple Dance from Norway in Proceedings of the 20th Symposium of the ICTM Study Group on Ethnochoreology- Istanbul 1998, Traditional Dance and Its Historical Sources, Creative Processes in Dance: Improvisation and Composition, Boğaziçi University Printhouse, Etiler-İstanbul, Turkey, 2000 (electronic version).

Petac Silvestru, Texte şi contexte în cultura dansului tradițional. Căluşul din Izvoarele (Olt). Căluşerul din Boşorod (Hunedoara), Editura Etnologica, Bucureşti, 2014, 314 p.

Petac Silvestru, The Dance of the Ethnographical Type – A Way of Safeguarding Traditional Dance in Studia Universitatis Musica, Cluj-Napoca, 2015.

Downloads

Published

2015-06-30

How to Cite

PETAC, S. (2015). THE SIGNIFICANCE OF IMPROVISATION IN THE ETHNOGRAPHIC TYPE DANCES. A SHORT CASE STUDY: THE "CĂLUŞ". Studia Universitatis Babeș-Bolyai Musica, 60(1), 171–184. Retrieved from http://193.231.18.162/index.php/subbmusica/article/view/5082

Issue

Section

Articles

Similar Articles

You may also start an advanced similarity search for this article.