FLUID LANDSCAPES AND THE INSULAR IMAGINARY IN ROY JACOBSEN’S BARRØY-SERIES

Authors

DOI:

https://doi.org/10.24193/subbphilo.2023.2.11

Keywords:

blue ecocriticism, island studies, nonhuman studies, new materialisms, landscape, ocean studies

Abstract

Fluid Landscapes and the Insular Imaginary in Roy Jacobsen’s Barrøy-series. The paper aims to investigate, through the perspective of the recent new materialist turn in the humanities, the island imaginary in Northern Norway. The research will revolve around Roy Jacobsen’s Barrøy-serien, a series of four books which depict the islands of Northern Norway. The whole world of the islanders seems to be encircled and ultimately enclosed by water. The title of the first volume in the series (The Unseen) points directly toward the socio- and geopolitical invisibility of the inhabitants of the little island, who seem to be outside any social system, living their life off the grid. Islands have been often portrayed in literature as such isolated microcosms, objects of colonial gaze and desire, powerless and inert. However, in Barrøy-serien, Roy Jacobsen seems to break this pattern, by ascribing agency to nonhuman (and more-than-human) systems like the island or the ocean. The story of the protagonist Ingrid seems to slowly become the story of the Barrøy island itself, which is never just the backdrop of human action and intention, but a force that has the power to shape human destinies. I argue that these narratives allow nonhuman entities like the island and the ocean independence and autonomy, acknowledging their enmeshment in human life.

REZUMAT. Peisaje fluide și imaginarul insular în seria de romane Barrøy de Roy Jacobsen. Lucrarea de față își propune să investigheze, prin prisma teoriilor noilor materialisme, un așa numit „imaginar insular” al Norvegiei (de nord). Studiul se concentrează asupra Barrøy-serien de Roy Jacobsen, o serie de patru romane care prezintă realitățile unei insule din nordul Norvegiei. Întreaga lume a locuitorilor insulei pare să fie înconjurată și îngrădită de apă. Titlul primulu volum din serie (Cei Nevăzuți) trimite direct la invizibilitatea socio- și geopolitica a locuitorilor insulei, care par să își trăiască viața în afara oricărui sistem. Insulele au fost adesea portretizate în literatura ca astfel de microcosmosuri izolate, inerte, obiecte ale dorinței și privirii coloniale intrusive. Cu toate acestea, seria de romane scrisă de Roy Jacobsen pare să destabilizeze această structură, atribuind unor sisteme sau entități nonumane (și mai-mult-decât-umane) precum oceanul sau insula Barrøy abilitatea de a se auto-guverna și de a fi autosuficiente. Povestea protagonistei Ingrid pare să devină pe parcursul celor patru volume chiar povestea insulei în sine, care nu este niciodată doar background-ul activității umane, ci o fortă care are puterea să modeleze destine umane. Aceste narațiuni recunosc autonomia și independența unor entități nonumane ca insula sau oceanul, cât și rolul pe care acestea îl au în viața umană.

Cuvinte-cheie: ecocritică, insula, studii nonumane, noi materialisme, peisaj, studii despre ocean

Article history: Received 5 February 2023; Revised 30 April 2023; Accepted 30 May 2023;
Available online
23 June 2023; Available print 30 June 2023.

Author Biography

Călina-Maria MOLDOVAN, Faculty of Letters, Babeș-Bolyai University of Cluj-Napoca. calina.moldovan@ubbcluj.ro

PhD student at the Faculty of Letters, Babeș-Bolyai University of Cluj-Napoca. She holds a Master's degree in Comparative Literature and, as of 2022, she is a member of the Ecocritical Network for Scandinavian Studies. Her research interests include nonhuman studies, (blue) ecocriticism, new materialist theories, Scandinavian literature and film. She has published articles and book reviews in Studia Scandinavica, Studia Philologia, Metacritic Journal for Comparative Studies and Theory and Ekphrasis Journal. Email: calina.moldovan@ubbcluj.ro.

References

Bennett, Jane. 2010. Vibrant Matter. A Political Ecology of Things. Durham: Duke University Press.

Caracciolo, Marco. 2021. Narrating the Mesh: Form and Story in the Anthropocene. Charlottesville: University of Virginia Press.

Crane, Ralph, and Lisa Fletcher. 2016. “The genre of islands: Popular fiction and performative geographies”. Island Studies Journal, vol. 11, no. 2:637-650.

Chen, Cecilia, Janine MacLeod and Astrida Neimanis. 2013. Thinking with Water. Montreal: McGill-Queen’s University Press.

DeLoughrey, Elizabeth. 2007. Routes and Roots: Navigating Caribbean and Pacific Island Literatures. Honolulu: University of Hawai‘i Press.

DeLoughrey, Elizabeth. 2019. “Towards a Critical Ocean Studies in the Anthropocene”. English Language Notes, no. 57: 21-36.

DeLoughrey, Elizabeth. 2020. “Shipscapes: Imagining an Ocean of Space”. Anthurium, vol. 16, no. 2:1-12.

DeLoughrey, Elizabeth. 2022. “Mining the Seas. Speculative Fictions and Futures”. In Laws of the Sea, edited by Irus Braverman, 145-63. New York: Routledge.

Dobrin, Sidney. 2021. Blue Ecocriticism and the Oceanic Imperative. New York: Routledge.

Filipova, Lenka. 2022. Ecocriticism and the Sense of Place. New York: Routledge.

Gillis, John R. 2012. The Human Shore. Chicago: The University of Chicago Press.

Hay, Pete. 2006. “A Phenomenology of Islands”. Island Studies Journal, vol. 1, no. 1:19-42.

Iovino, Serenella, and Serpil Oppermann. 2014. Material Ecocriticism. Indianapolis: Indiana University Press.

Jacobsen, Roy. 2016. The Unseen. Translated by Don Bartlett and Don Shaw. London: MacLehose Press.

Jacobseb, Roy. 2018. “Roy Jacobsen: Nostalgia's a scar that's good to scratch”. Interview by Gergő Melhardt. Hungarian Literature Online, November 9, 2018.

https://hlo.hu/interview/roy_jacobsen_a_scar_that_s_good_to_scratch.html

Jacobsen, Roy. 2019. White Shadow. Translated by Don Bartlett and Don Shaw. Windsor: Biblioasis.

Jacobsen, Roy. 2020. Eyes of the Rigel. Translated by Don Bartlett and Don Shaw. Windsor: Biblioasis.

Jacobsen, Roy. 2022. Just a Mother. Translated by Don Bartlett and Don Shaw. Windsor: Biblioasis.

Johansen, Lennart J. 2001. “«En ødemark og en dødens forgård»” – det nordnorske stedet i Roy Jacobsens forfatterskap”. Master thesis, The Arctic University of Norway.

Markussen, Vanja Louise. 2019. “En analyse av kystkvinnemotivet i De usynlige, Kjærestebåten og Huset med den blinde glassveranda”. Master thesis, The Arctic University of Norway.

Marland, Pippa. J. 2016. “The island imagination: an ecocritical study of ‘islandness’ in selected literature of the British and Irish archipelago”. PhD diss., University of Worcester.

Neimanis, Astrida. 2017. “Water”. In Gender: Matter, edited by Stacy Alaimo, 171-186. Farmington Hills, Mich.: Macmillan.

Pearson, Michael. 2006. “Littoral Society: The Concept and the Problems”. Journal of World History, vol. 17, no. 4: 353-373.

Raipola, Juha. 2020. “Unnarratable Matter: Emergence, Narrative, and Material Ecocriticism”. eReconfiguring Human, Nonhuman and Posthuman in Literature and Culture, edited by Sanna Karkulehto, Aino-Kaisa Koistinen, and Essi Varis, New York: Routledge.

Ritson, Katie. 2018. “Nordic Nature on the Edge of the North Sea. Kjersti Vik’s Mandø”. In Nordic Narratives of Nature and the Environment. Ecocritical Approaches to Northern European Literatures and Cultures, edited by Reinhard Hennig, Anna-Karin Jonasson, and Peter Degerman, 63-78. Lanham: Lexington Books.

Ritson, Katie and Eveline R. de Smalen. 2021. “Imagining the Anthropocene with the Wadden Sea”. Maritime Studies, no. 20:293–303.

Ritson, Katie. 2020a. “The View from the Sea: The Power of a Blue Comparative Literature”. Humanities, vol. 9, no. 3: 68.

Ritson, Katie. 2020b. “Sweat, Light, and Oil: Seeing the Energy in Roy Jacobsen’s Barrøy Novels”. Edda, vol. 109, no. 2:126-139.

Riquet, Johannes. 2016. “Islands erased by snow and ice: approaching the spatial philosophy of cold-water island imaginaries”. Island Studies Journal, vol. 11, no. 1:145-160.

Schällibaum, Oriana. 2017. “Narrating islands: fragmentation and totality as figures of thought in Raoul Schrott’s work”. Island Studies Journal, vol. 12, no. 2: 291-302.

Sreenan, Niall. 2017. “Dreaming of islands: individuality and utopian desire in post-Darwinian literature”. Island Studies Journal, vol. 12, no. 2:267-280.

Steinberg, Philip, Kimberley Peters. 2015. “Wet Ontologies, Fluid Spaces: Giving Depth to Volume through Oceanic Thinking”. Environment and Planning D: Society and Space, vol. 33, no.2:247-264.

Vergès, Françoise, and Carpanin Marimoutou. 2003. Amarres, créolisations india-océanes. Paris: L’Harmattan.

Viken, Marte. 2019. “Hav, menneske og natur. En økokritisk lesning av Havboka og De usynlige”. Master thesis, Western Norway University of Applied Sciences.

Wærp, Lisbeth P. 2022. “«En øy går aldri under»: Roy Jacobsens Barrøy-romaner i et øylitterært perspektiv”. Norsk litterær årbok 2022, edited by Nora Simonhjell and Benedikt Jager, 146-171. Oslo: Samlaget.

Why, Loveday. 2017. “A Poetics of Water: Cross-Cultural Ecopoetics in a Crisis World”. PhD diss., University of Otago.

Żurawska, Elżbieta. 2021. “The Sensory Experience of Landscape in the Novel Eyes of the Rigel (2017) by Roy Jacobsen”. Studia Litteraria Universitatis Iagellonicae Cracoviensis, vol. 16, no. 4: 333-344.

Downloads

Published

2023-06-23

How to Cite

MOLDOVAN, C.-M. (2023). FLUID LANDSCAPES AND THE INSULAR IMAGINARY IN ROY JACOBSEN’S BARRØY-SERIES. Studia Universitatis Babeș-Bolyai Philologia, 68(2), 195–212. https://doi.org/10.24193/subbphilo.2023.2.11

Issue

Section

Articles