Volume 63, No. 4, 2018

Articles

• FOREWORD

  Sanda BERCE, Rareș MOLDOVAN

  7-8

  • pdf

• INTRODUCTION

  Carmen-Veronica BORBELY

  9-15

  • pdf

• HONEY, HE SHRUNK THE KIDS: SWIFT AND IRISH WRITING

  Declan KIBERD

  17-25

  • pdf

• IRISH OVERDETERMINATION: STRATEGIES FOR ENTERING AND LEAVING THE GAELTACHT

  Diarmuid Ó GIOLLÁIN

  27-42

  • pdf

• KEVIN BARRY’S ATLANTIC DRIFT

  Nicholas ALLEN

  43-48

  • pdf

• REVIEWING FAMILY HISTORY: RECENT IRISH FICTION AND THE AVATARS OF MEMORY

  Virgil STANCIU

  49-62

  • pdf

• EMERGING STORIES: THE (AUTO)BIOGRAPHICAL GAME

  Sanda BERCE

  63-80

  • pdf

• CHECK IMPULSE: TRAVERSING HADES

  Rareș MOLDOVAN

  81-92

  • pdf

• WHEN STORYTELLING BECOMES HERITAGE

  Adrian RADU

  93-108

  • pdf

• ON “MAKING ODDKIN” IN SARA BAUME’S “SPILL SIMMER FALTER WITHER”

  Carmen-Veronica BORBELY

  109-118

  • pdf

• FEASTING ON THE TEXT: THE “ULYSSES” CENTENARY IN ROMANIAN PERIODICALS

  Elena PĂCURAR

  119-128

  • pdf

• “THERE WAS A BLACK GAP WHERE THE DE HAD BEEN:” DISPOSSESSING DISCOURSE IN AIDAN HIGGINS’ “BALCONY OF EUROPE”

  Petronia POPA PETRAR

  129-138

  • pdf

• COFFEE, TRUFFLES AND OTHER DELIGHTS IN ANNE ENRIGHT’S “THE PLEASURE OF ELIZA LYNCH”

  Ana-Karina SCHNEIDER

  139-150

  • pdf

• SAMUEL BECKETT AND MONOLOGUE DRAMA: PERFORMING THE SELF

  Eugen Radu WOHL

  151-162

  • pdf

• A VISION OF A VISION

  Alexandru OLTEAN-CÎMPEAN

  163-176

  • pdf

• SHIFTING PERSPECTIVES: LEOPOLD BLOOM, HOSPITALITY, AND THE OTHER IN JAMES JOYCE’S “ULYSSES”

  Diana MELNIC

  177-190

  • pdf

• JAMES JOYCE’S “ULYSSES”: READING THE SELF IN THE BODY

  Vlad MELNIC

  191-206

  • pdf

• POSTHUMAN ELEMENTS IN SAMUEL BECKETT’S “KRAPP’S LAST TAPE”

  Diana Cosmina DUPU

  207-218

  • pdf

• BOOK REVIEW: “STUDI IRLANDESI. A JOURNAL OF IRISH STUDIES”, GENERAL EDITOR FIORENZO FANTACCINI, JOURNAL MANAGER ARIANNA ANTONIELLI, FIRENZE UNIVERSITY PRESS 2017, 421 P.

  Diana Cosmina DUPU

  219-220

  • pdf

• BOOK REVIEW: RANDALL STEVENSON, “READING THE TIMES: TEMPORALITY AND HISTORY IN TWENTIETH-CENTURY FICTION”, EDINBURGH: EDINBURGH UNIVERSITY PRESS, 2018, 262 P.

  Diana MELNIC

  221-223

  • pdf

• BOOK REVIEW: DECLAN KIBERD, “AFTER IRELAND: WRITING THE NATION FROM BECKETT TO PRESENT”, HARVARD UNIVERSITY PRESS, 2018, 540 P.

  Vlad MELNIC

  225-227

  • pdf

• BOOK REVIEW: DIARMUID Ó GIOLLÁIN, “IRISH ETHNOLOGIES”, INDIANA: UNIVERSITY OF NOTRE DAME PRESS, 2017, 238 P.

  Alexandra POP

  229-230

  • pdf

• BOOK REVIEW: DIARMUID Ó GIOLLÁIN, “LOCATING IRISH FOLKLORE: TRADITION, MODERNITY, IDENTITY”, CORK: CORK UNIVERSITY PRESS, 2000, 256 P.

  Alexandra POP

  231-232

  • pdf

• BOOK REVIEW: DECLAN KIBERD AND P. J. MATTHEWS (EDS.), HANDBOOK OF THE IRISH REVIVAL. “AN ANTHOLOGY OF IRISH CULTURAL AND POLITICAL WRITINGS 1891-1922”, DUBLIN: ABBEY THEATRE PRESS, 2015, 505 P.

  Blanca BORBELY

  233-234

  • pdf

• BOOK REVIEW: “TRANSLATION AND CULTURAL MEDIATION. INSIDE AND OUTSIDE PERSPECTIVES ON ROMANIAN LANGUAGE, CULTURE AND LITERATURE”, EDS. ROXANA CIOLĂNEANU & PAUL NANU, UNIVERSITY OF TURKU, 2018, 271 P.

  Brîndușa GRIGORIU

  235-239

  • pdf

• BOOK REVIEW: LEON BATTISTA ALBERTI, "PROPOS DE TABLE-INTERCENALES". ÉDITION CRITIQUE PAR ROBERTO CARDINI, TRADUCTION DE CLAUDE LAURENS, INTRODUCTION ET COMMENTAIRE DE ROBERTO CARDINI TRADUITS PAR FRANK LA BRASCA. VOL. I E II. PARIS, LES BELLES LETTRES, 2018, 530 P. + 520 P.

  Théa PICQUET

  241-242

  • pdf